section
3
part
one -
enough
are dancing with spirits.
enough
are dancing with themselves.
no one
is dancing with each other.
he has
discovered nothing. the parts that are still missing still remain so. no
amount of pleading will bring them to him.
or perhaps
they are not missing but it is his perception that they are missing.
something
and nothing being the same.
part two -
disease.
choking.
the woman
in the green dress woke up early this morning.
the dog.
square.
the woman
in the green dress leaned against the door that would not open. she sighed.
part three -
the revolution
is over and nothing happened, the woman said.
what
do you mean nothing happened? the man said.
and the
conversation went on like that through hours of pointlessness.
and in
the morning the crows were back.
dreamtime
- random success.
circus.
the dog.
the pose
of forgetfulness. we are here. we are there.
and on
distant beaches where our names are called through the vibration of our
being.
we cannot
answer from babylon. babylon is filled with the shouts of our deafness.
our names
are far more simple than we remember. we have made our names complex.
part four -
and there
are now those who page through the documents for proof that what we know
is wrong.
but there
are great amounts of wealth invested in and dependent upon the way things
are.
is this
anything new?
is this
anything important?
part five -
something
raining.
something
from nothing.
a thought.
wisdom
of thought.
nothing
from something.
part six.
it was
another day that the dada-ananda was in a cloud. the dada-ananda was walking
with us through the streets of babylon. it was warm and humid. it was hard
for us to keep up with the dada-ananda.
the dada-ananda
was ahead of us by several long steps. we were distracted by the oppressive
reality surrounding us with various noise. we fell behind.
and it
was in a crowd of frustrated faces locked in roles each thought they were
forced to perform we lost the dada-ananda around a street corner.
part 7 -
it is
very difficult to maintain the vision of the dada-ananda - to keep the
dada-ananda in view in one's mind.
the dada-ananda
can appear and disappear suddenly.
what
is left is the dada of babylon. the noise of frustrated confusion. dada-ananda
is when the confusion flows into the balanced order of chaos. when one
follows the other because it follows the other. balanced order instead
of forced order.
forced
order is always out of balance. it is defined by a standard of perfection.
perfection is imperfect. it cannot be defined.
babylon
is based on forced order. it strives toward a standard of perfection and
because this standard of perfection cannot be achieved, or if achieved
maintained, frustration is the result.
even
the dada-ananda should not be used as a standard of perfection. the dada-ananda
is far from perfect. and in that the dada-ananda is perfect. this is hard
to understand at first.
part 8 -
perfection
is what is.
a standard
of perfection is what is expected to be.
perfection
is what is as it is happening. always change. chaos.
a standard
of perfection is expected to remain as it is. rigid and static. forced
order. death.
chaos
has order. it is a balanced order of each and everything seeking its place
and its place being where and when it is at each and every moment.
forced
order denies the order of chaos. it fights with chaos. forced order sees
the order of chaos as disorder. it sees chaos as destructive.
forced
order is destructive. its aim is death.
part nine -
the universe
exists in chaos - the order of chaos.
it is
written that god created the universe and pronounced it good.
it is
written that when humans were created that they ate of the fruit of the
knowledge of good and evil.
it was
then that the human mind began to divide what was good from what was evil
after god pronounced it all as good.
the human
mind rejected the perfection of chaos for the perfection of order.
it was
then that humans no longer saw themselves as living in the garden.
it was
then that humans began building babylon following their standard of perfection.
all that
is good is also evil.
all that
is evil is also good.
or something
like that.
part 10 -
what is
started is finished.
what
is finished is started.
part 11 -
another cigarette.
part 12 -
dream.
part 13 -
arf...?
part 14 -
gottok
was once in his orchard among the trees to pick the ripe fruit he would
then send out in baskets to his people.
he was
walking with a number of the priests who had come to him with questions
needing his answer.
and he
did notice that kottog was hiding in the orchard. but this he did not tell
the priests so they would continue their inquiry of him.
so that
when kottog came out of hiding and stood before them the priests were greatly
startled and did run away.
why have
you done this? gottok asked his sister.
kottog
grinned and answered, i did this to demonstrate to your foolish people
that no place is safe from me - not even with their beloved gottok in his
orchard.
part 15 -
and it
was that the priests who were with gottok in his orchard when kottog appeared
did run away and made their way back to the people.
and they
did tell them what had happened.
at first
they were laughed at and not believed. but when it was discovered that
they all told the same story that the people believed them and became frightened.
many
began to gather their belongings and make preparations to leave.
there
were a few who tried to restore calm among them. they related stories of
the many times gottok had aided his people. this was surely another test.
they tried to assure those who were leaving.
but the
people were convinced it was finished. this was the only time kottog was
known to make his way to gottok's very orchard. this surely meant the end
of gottok and his protection if that could happen.
part 16 -
it was
even the priests themselves who were leaving also. this the people saw
and made to leave as well.
there
was a great spreading of panic.
and it
was by the end of that day that most of gottok's people were gone and scattered.
some even found their way to the cities that worshipped kottog and disguised
themselves among her followers.
and a
few remained behind believing still in the ways of gottok.
though
they did not know his fate they felt that they should carry on what he
had taught them for the coming generations.
they
sat together close and sang his song.
part 17 -
in his
orchard gottok spoke to his sister kottog, must you always cause me trouble?
you know by now it is impossible for you to defeat me.
and kottog
did reply, yes my dear brother who is my eternal curse, and you know it
is just as impossible for you to defeat me.
gottok
smiled, my sister who is more a blessing to me than i sometimes realize,
i am not trying to defeat you. i am trying to bring peace between us and
between your followers and my people. i dream of the wonder of the world
that will become of that happening.
kottog
spit and said, peace will never find its way between us. if it is this
i can prevent then i will be satisfied.
gottok
sighed, leave me now. i am through listening.
and it
was that kottog had to obey his words as she was in his orchard. and she
did leave.
part 18 -
the night
of that day found the few who remained of gottok's people gathered close
together.
the rest
were fled. some even hidden among kottog's followers.
and it
was that night that gottok came from his orchard with many baskets of fruit
from his trees.
and he
came to those of his people who remained and they let out a great sound
of joy to see him among them. for many of them had never seen him before
this time but had not left as did the priests who had seen him and knew
him well.
greetings,
gottok called to them. where are your brothers and sisters? (though he
knew).
and they
did tell him of the day's confusion and panic.
and yet
you remained, he said to them, and here is fruit from my orchard for you
to eat. even from the very orchard kottog entered though she could only
do so by my allowing it.
and those
who remained of gottok's people did eat the fruit. they were filled for
there was enough for even those who had left.
part 19 -
and he
spoke to them, tomorrow you will take the fruit that is uneaten and plant
it about you so there will someday be a new orchard and you will be the
keepers of it and not be harmed by kottog or her followers. they will not
be able to come here unless welcomed by you.
and at
the dawn of the next day they did as he bid them.
and it
was as he said.
part 20 -
much time
later the people of gottok who had hid themselves among kottog's followers
eventually reveled themselves to certain ones who they felt they could
trust.
and they
and these of kottog's followers left the cites and came to the orchard
and were welcomed.
10/5
section
4
part
one -
and he
is an observer among the others though he is one of them.
he does
not know where it is he comes from or why he is here. he has wondered about
this since he was a child. there is no answer that anyone has given him
that he can completely believe.
these
are questions asked since before time was measured. have none found an
answer all can believe and agree on? is there such an answer?
or will
we always war among ourselves over our different ideas? how really different
are they?
part two -
that we
are so afraid of each other. that we give each other good reason to be
afraid. that we fear the gods that we offer sacrifice to for their protection
even giving up our own souls.
we fear
what we desire and desire what we fear.
we need
to possess what others want and others want what we possess.
these
are the chains that bind us.
yet are
we to blame?
we are
only human.
part 3 -
to have
faith one must doubt.
to doubt
one must have faith.
faith
and doubt are one.
nothing
is but what we believe it is - or doubt that it is.
or what
it is not.
we are
the ones who decide our reality.
to be
god.
to be
it that is.
part four -
there
is no love in this world anymore, sing the buzzcocks.
was there
ever love in this world? asks klocko the klown.
just
people trying to fill their empty lives. the emptiness is a universal space
of emptiness. it will never be filled by anything.
just
as soon as one gets comfortable it is time to move on. is this good or
bad? does it matter either way?
the faces
one sees every day.
nothing
matters either way.
part five -
the emptiness
goes on and on. the only thing that matches the emptiness is the loneliness.
this
is why the universe was created. just something to fill the void.
something
to do.
something
to look at.
something
and nothing being the same thing really.
part six -
and it
is itself divided.
and it
is as itself as one is alone in one's own existence.
and it
is itself divided as many things alone in their own existence.
loneliness
is all there is.
imagine
how lonely is god who created us to fill its heart and this is what it
got instead.
part 7 -
there
is nothing worse than loneliness, especially the loneliness that no number
of having friends or being among a crowd can banish.
the loneliness
of the soul.
a soul
lost in an eternal void no universe can banish.
and of
all that is created there is nothing as lonely as that which did the creating.
everything is merely a reflection of itself.
forever.
and ever.
part 8 -
and babylon
where all our desires and dreams are outlawed and we are left with our
fears and nightmares.
we push
each other as far away as we can. we want to touch each other so much we
dare not touch each other so we invent reasons not to.
we create
sin.
we create
gods who judge us.
we pretend
to need forgiveness for wanting to do what we want to do.
we deny
wanting to do what we want to do until it becomes obsession. it becomes
the motive for our every action. we live and die for it.
our souls
locked in closets become twisted into themselves such that when they are
finally allowed out they are no longer our souls but some misshapen beast
thing.
part nine -
what comes
and goes.
what
is something and what is nothing.
who we
are and who we are not.
it is
what comes and goes. in and out of itself. something and nothing being
the same which is it.
part 10 -
the days
passing through day and night as the universe passes all blinking and not
being.
the moment
which is now.
the moment
which is not now.
both
moments being the same moment.
and yet
everything seems so real. everyone believes everything is so real. and
since the only definition of what is real is what seems to be real, it
is real.
part 11 -
the turning
wheels. and the wheels moving as they are turning.
the movement
of wheels turning.
fuck.
cycles.
fucking.
no beginning
and no ending.
an eternity
never repeating.
no moment
like another though they are all the same moment.
part 12 -
and it was rumored that the dada-ananda while digging a grave spake thusly, the ways of the world are not the true ways of the world. it is a great worry and sorrow for those who know of the garden to live in babylon. it must be done. yet there are ways to live in both. if the garden is really where one wants to be one will tune one's heart to it and soon see it everywhere - even among the ruins of babylon. for babylon is in the garden. these are not two separate places either in space or time. they exist together.
10/6
section
five
part
one -
and time
is lost.
we forget
the meaning of all we make up to guide us through our short lives.
our lives
are short yet the days can go on forever.
time
is lost.
our sense
of time is lost.
from
one unknown to another.
part two -
he cannot
think twice. it's hard enough to think once. few thoughts remain long enough
for him to know what they are. they return to the busy fog of his mind.
he has
no direction. nothing calls his name. he doesn't know what his name is.
would he recognize it if he heard it?
others
think he is rebellious. he is not rebelling. he just refuses to do anything
he doesn't want to. unless he is forced to do it.
how is
he to know? is there anything at all? or is it all nothingness with no
meaning as some say?
the others
find meaning.
he cannot.
part three -
all the
bricks in the wall. the wall is everywhere. within and without.
we cannot
reach or touch one another. we are images and shadows of images.
nothing
is real.
he cannot
look into another's eyes. he sees his own emptiness reflected in them.
it hurts. they are no more real than he is. he is their image, their shadow.
walls
made up of a patchwork of materials twisted together into impenetrable
barriers never to come down.
the walls
are ourselves.
part four -
time being
and becoming. simple and complex. the weaving of the moment into and out
of itself.
and what
does that realization matter? what illusions we may have but what is real
causes pain.
pain
is the only reality. the avoidance of it our only motivation.
is there
anything else but this?
part five -
we are
ourselves and we do not know who we are.
we are
who we are not.
and this
also does not matter.
this
also does not end the pain.
part six
-
to be
with another.
to be
without another.
to be
somewhere alone or together does not seem to matter.
he knows
no one. no one knows him. we do not know ourselves.
and this
again does not matter.
the pain.
part 7 -
what is
written and what is not written.
everything
he thought only added to the echoes which were already there for maybe
everything he thought were only echoes breaking and blending apart and
together over and over.
he tried
to remember if there was a time when there were no echoes. but if there
was he couldn't remember back that far.
what
would it be like not to have a head full of echoes?
part eight -
he sees
the passing of one moment. the same moment the universe exploded into creation.
something from nothing. something and nothing being the same thing.
the long
moment and the short moment. the life of a galaxy. the blink of an eye.
it comes
and goes.
ho-hum.
who cares?
telescopes
and microscopes are aimed at various parts of the universe and nothing
is seen but the illusion of something disappearing into nothing.
no beginning.
no end.
we are
one with it. there is nothing else.
part nine -
and we
are surrounded by what we cannot control and we try to control it.
we think
we are successful.
we pronounce
a god who takes care of such things and then try to control that god with
prayer.
it is
the god.
it is
what it is. it happens as it happens.
we are
part of it. we control it as it controls us.
part 10 -
as the
formless is formed around us as we are formed with it.
tune
in. tune out.
our vision
is the vision of the gods as we are the gods forming the formless in our
minds.
the gods
working at a burger joint.
the gods
dying of cancer.
the gods
beating their children.
the gods
passed out in a doorway.
this
is the world the gods created as their playground. does one remember?
does anyone
remember how we did this? how we turned the garden into babylon?
how do
we turn babylon into a garden?
is that
what we want? or is it what surrounds us now? obviously it is because that
is what we created of our own free will.
we create
our frustration.
we create
our poverty.
we create
our greed.
we create
all that we tell ourselves that we despise. but do we really?
only
we can change it.
part 11 -
maybe
this is the world we really want. yet he has yet to hear of anyone who
is satisfied with it.
we hate
the world we have created.
maybe
if we only knew how much we do create it and how we could create another
world just as easily.
we look
to death to take us away from this world to the world of our dreams. maybe
that is what it is going to take.
will
we wait for the missiles to launch toward their targets when their targets
are each and everyone of us before we call an end to this madness.
will
the world of our dreams only exist in that last blinding instant?
someone
push the button...
lathe
of heaven.
part -12 -
so the
message is the message. so everyone is speaking the message.
the message
is the word of the message.
there
is no message.
section
six
part
one -
and when
we were sleeping and dreaming of time long ago.
what
still lives in our memory in the hades of the universal mind.
what
does not know anymore the light of awareness yet still is.
we dream
of unknown monsters. or are they unknown? or are they monsters?
we are
monsters to each other.
the fear
of monsters overcomes us.
war.
the eternal
war with monsters residing in the universal mind.
the monsters
are as real as any one of us. are we real?
we build
up the walls of babylon to try to keep them outside. but they do not have
to get in, they are already here.
part 2 -
there
are those who do not dream - who do not let their imaginations take control.
the horror they imagine is real is too much.
how have
we created this world? how do we create another?
not with
more walls. but more and more walls are going up everyday.
and as
the walls go up there will always be those tearing them down.
and monsters
on both sides.
who is a monster?
part 3 -
if he
is to be a monster he would like to be a friendly monster. it doesn't matter
if he is ugly and scary. he wouldn't hurt anyone. maybe not.
if there
are to be monsters he thinks they are friendly monsters. none of them want
to hurt anyone. none that he has met anyway.
but many
do hurt others. could it be that they think these others are monsters trying
to hurt them?
part four -
this is all our imagination. and we can make our imagination what we want it to be - can't we?
part five -
and one
time someone asked the dada-ananda, you always say that this is nothing
more than our imagination - that it is ourselves who created the world.
this can't be true. what do you mean?
the dada-ananda
stopped and turned and spake thusly, at last, someone who asks me a real
question.
the dada-ananda
sat on a toad and continued, i will tell you that it is true that it was
not us who created the world. at least not the elements of the world. at
least not as we are now as being human. we as human were created as part
of the world. but we as spirit are still the gods. still the creators.
the world was given to us in a given form with certain basic things already
in operation, like weather and such. it's what we do with the given form
that is all our imagination. it would be possible to go back into the given
forms and change them but not as our human selves. we would have to go
back to our god selves to do that. but we had already agreed not to do
that. it would spoil the game. what we can do as being human has still
yet to be entirely explored. we are at the beginning of that. we only discovered
who we are yesterday. we have already used our physical skills to do many
things. sometimes too many things. it is time now to use our minds. this
is the era we are entering.
section
11
part
the first -
the heart
knows when to do something he can't quite think of yet.
the further
away it seems.
the dream
white horses stand on a hill somewhere over by the river that runs through
the garden where babylon once stood.
pinpoint
is everywhere.
needle
in a haystack mind.
the opening
of the gate on the beach.
an island
beach somewhere in imagination where we see each other with different eyes.
or not.
or maybe
something else than what we never saw.
or not.
or being
born into each moment.
part two -
just another
box of light.
black
and white.
hold
onto one's shoes, there's some walking to be done soon.
the road
opens where one is not looking. and suddenly one realizes one has been
on it the whole time. everything has been expected now and then.
all moments
are one now and then.
we sat
in circles that are broken now and then. we are in being.
harmony
in a flower given to another. just like in the old days of daze. whispered
communion neither understand. something about the cycles.
waves
all about us washing us clean. we dream again.
feeding
himself with coffee to match the speed of thought inside his brain firing
off at once now and then.
part three -
the two
forever entangled until they become many images - expressions of the dance
they weave.
the one
being what the other is not.
this
and that.
and then
the other thing.
reflections
and shadows creating all that we see - all that we are to ourselves and
each other.
remember
how it is that we are who we are and share in the mystery again.
we are
it and not it.
part 4 -
the breaking
of thoughts on the beach somewhere someplace else.
anywhere
else.
here
and now.
we clock
the time we cannot tolerate. we measure our misery. tap our feet in time
time time.
we are
crying and we don't even know it. anytime it comes close we turn away.
we live
our lives on and on.
we turn
ourselves inside out.
oh boy.
part five -
something
in a name. something in a size ten. something to forget who one is.
he has
nothing to tell anyone. no one is paying attention anyway anymore - if
they ever were.
no one
really dances. no one really breathes.
no one
really exists. he is here alone in a world of illusions. room by room.
prove
to him that he touches anyone when he touches them - though he never touches
anyone. no one wants to be touched.
what
would happen? would they have to exist?
something
in a name.
part six -
and all
the time here by himself. screw the rest of them. let them lead their idiot
lives. why should he care how miserable they are?
except
their misery makes his life miserable. his otherwise perfect life. they
insist on making sure he can't get away from them. they control all the
land and resources. so he has to perform stupid tricks for them because
they get off telling someone else what to do.
etc.
part 7 -
and when
we last left the dada-ananda the dada-ananda was answering a question about
reality, imagination and our ability to control the world around us.
the dada-ananda
continued, yet we have yet to have enough doubt in reality to overcome
the reality of it. part of controlling the reality of the world is knowing
that we already control it.
and the
dada-ananda picked up a rock and spake thusly, this rock exists because
we all agree that it exists. none of us can change it into anything else
unless the others of us agree to allow it. the reality of the rock is the
reality we give it. we forget this. but soon we will remember it.
part 8 -
not much
to write about. what is important? nothing he writes can put food on anyone's
table or pay the rent. if one wants to survive or attain fame and fortune
there is nothing he can write that will help anyone to do so. in fact if
anything it will hinder them.
but what
he wants to write would be to give one the key to everything. it's very
easy. but it takes all of us to do it. and few if any are really interested.
we are
dreaming and we can control the dream instead of allowing the dream to
control us.
but how
is this done? how do we all agree? how to tell anyone this without them
laughing?
but he's
never seen anything clearer in his life. this is what he lives for. but
it's nothing to anyone else.
he doesn't
understand this.
he won't
understand this.
part 9 -
everyone
speaks of some sort of heaven - some ideal. yet they place it out of their
reach.
some
put it beyond death.
some
put it in the future.
some
put it out.
and they
make up some kinda story about how we are meant to suffer and not get what
we want in this life.
what
a joke.
what
a lie.
what
a tragedy.
why do
we do this to ourselves?
why do
we deny all that we are?
we can
get anything we want - if we knew what we wanted instead of struggling
over what just gets us off. programmed desires.
it's
all here.
it's
all now.
part 10 -
maybe
he is the fool everyone tells him he is.
a fool
lost in hopeless fantasy about a world where everyone is fulfilled instead
of denied.
maybe
he is the fool everyone seems to believe that he is.
but that's
what he is. if it's a fool he is fated to play then he'll play it.
but to
him the others are the fools. going on with their useless lives when they
could have it all - more than they could now imagine.
and he's
just here writing to himself. he's tired of all the theories - all the
never never dada.
everybody
says, give me something real.
he doesn't
have it so don't come looking around here.
part 11 -
he's tired
of living in a world where nobody gives a shit. where everybody is just
fucking each other over in all the ways they can.
what
about love? or even tolerance?
and no
one seems to notice. it's business as usual.
he doesn't
care. they can have all that they are back stabbing each other for if they
think that will make them happy - without love - without even tolerance.
he's
tired of living a life holding back the love he should feel in his heart.
he's tired of hating all these idiot faces he sees everyday. he's tired
of the anger in his blood.
he doesn't
know how to tell anyone that he loves them. they don't want it. they want
him to work for them and take the money he earns, that's all. and they
can have it.
what
does it matter?
part 12 -
what is
he writing this dada for? even if someone reads it it won't make any difference.
their world will go on and on through endless cycles of useless frustration.
idiots.
fools.
stupid
fuckers.
part 13 -
tired
of dreaming dreams that will never come true.
not in
this world, baby.
his dreams
are dreams of another world. a world where we are no longer frightened
of one another and ourselves.
dreams
of understanding.
dreams
of a world where people realize that happiness is more than just chasing
after basic desires. and that happiness is not achieved by gaining power
and wealth.
and one
can laugh now. one always does.
10/10
section
whatever
part
one -
and so
we slip in and out of darkness and light. so it doesn't matter which.
concepts
are boxes and we spend so much time and energy making sure the boxes keep
their shape.
or something
like that.
he doesn't
know what is right or wrong. maybe this is all right - otherwise why would
it be happening if it wasn't?
and he's
the one who is wrong.
or something
like that.
part two -
all the
time spent apart from one another. all in a dream of reality turning through
our brains.
all the
time spent against one another. all we believe we need to survive.
survive
for what?
meaning
and meaninglessness.
skin
care products.
tables
and chairs.
part three -
and remember
ourselves.
and be
who we are without knowing who we are.
we talk
about everything.
we talk
about nothing.
we talk
and talk and talk. to lose ourselves in the noise we make. to forget who
we are.
part four -
to know
the dada-ananda one must be the dada-ananda.
to know
that everything one knows is wrong. to be free of both faith and doubt.
to allow oneself to move into the gray shadows of light.
to know
the dada-ananda is to know who one really is and having it not make any
difference who one really is.
beneath
the layers of masks in order to be the mask.
the dada-ananda
is both the mask and the face beneath the mask.
to know
the dada-ananda one must realize one is the dada-ananda.
part five -
and why
can't he just be who he is - whoever that is? other people are who they
are - or so it seems to him. maybe they aren't.
a thousand
possibilities and none matter at all. they're all a fraud.
masks
and layers of masks all the way down through his very soul itself. no beginning
and no ending.
without
the dada-ananda it is nothing.
and the
dada-ananda fails to come to him so often. unless he is the dada-ananda.
or else
the dada-ananda is just something he made up. a fantasy in a world of fantasy.
another trick of the trade.
is that
all anything is? another trick of the trade?
part six -
at some
point something must be real.
yes?
no?
the point
of it.
the point
of being.
what
is real? what does it mean? is it only perception? how does what is doing
the perceiving know that itself is real?
and sundry
tail chasing dada.
part seven -
inside
or outside - neither matters that much.
fantasy
or reality - what difference does it make?
why does
it matter to him? why does it make a difference?
why does
it cause him so much pain?
part eight -
and people
go their way. do they think the same things he does? they appear not to.
but maybe he appears not to.
he goes
his way.
part 9 -
following
winds and tides any which direction they may go. they show him what is
real and what is not. they tell him little in this world is real.
does
he believe them?
what
is he left with then?
he walks
the streets of babylon and sees the garden smothered beneath it all.
he looks
into people's eyes and sees what they deny and try not to feel.
how much
longer can this madness go on? another day? a thousand more years? forever?
part 10 -
and another
dream. another day in a dream. he goes where it goes. he follows the wind
and the tides.
he cannot
imagine anything else.
he cannot
be anyone else.
this
is as it is. whether it is good or bad - if such distinctions can be made
- seems not to make any difference at all.
another
dream.
another
day in a dream.
part 11 -
we are
dreaming.
we dream.
just
another dream.
just
another day in a dream.
just
another life in a dream.
and we
could dream any dream we wanted - if we knew what we wanted.
we dream.
part 12 -
tick-tock
clock.
tick-tock
clock world.
and now
the tick-tock is a steady micro-fast tick-tock humming.
we are
still dividing time between this and that no matter how supposedly accurate
it is.
the moment
vibrates within itself - creating time.
what
is and what is not.
the moment
is one. everything is.
the phone
is ringing.
who's
there?
the concentration
camps are full.
genetics.
speaking
eloquently.
walking
along the path looking above the trees to the stars.
risks
taken.
footprints
on the beach.
calling
out the names.
arguing
with tools.
speaking
german.
the lives
of their children.
part thirteen -
the whole
idea is far-fetched, he said to himself as his friends were arguing in
complete agreement.
another
day in a dream.
or another
dream in a day.
or if
one's memory serves one well one might remember... but he has forgotten.
many broken
pieces were needed to put back together the whole from the sum of its parts.
the people
at the next table were laughing.
that's
what he remembers. is it important?
does
he ask that question too much?
why does
he feel that everything he writes about is dada bullshit? what else can
he write? what words would trigger someone to move beyond themselves? what
words could trigger him to move beyond himself?
or are
there no words? just dada bullshit.
nothing.
section
666
part
one -
an envelope
in the living room.
a word
hanging in the air.
the dada-ananda
was watching tv. the dada-ananda was drinking a beer. the dada-ananda's
feet were up. the dada-ananda was flipping from channel to channel with
the remote control.
we were
making a tape of what the dada-ananda selected to stop and watch for a
moment or two before moving on to the next. these tapes proved to be inspirational
montages of the very mind of the dada-ananda.
the dada-ananda
was laughing.
four
or five doves flew by the window outside.
little
by little everything was coming apart and going back together again.
a breath.
a heartbeat.
the dada-ananda
sleeps in doorways.
the dada-ananda
sleeps in the park.
the dada-ananda
sleeps in one's backyard.
part 2 -
a sequence
of dreams. but he doesn't dream anymore. the dreams are far beneath the
surface wandering around in the labyrinths of memories forgotten.
cold
light.
recounting
the dead again and again. we were listening to the echoes of our voices
in this empty world with no one listening.
spoon.
part three -
where
does it go when it goes?
where
does it come from?
just
a couple of things we wonder about.
dinner
was late as we were talking about all and all. joints were going around
and the dada-ananda was with us sucking a toke or six.
outside
people were driving around in their cars looking to get laid.
we were
looking for more than temporary hits of pleasure to see us through. the
coming down is so hard when it comes and goes.
part four -
(deleted)
part five -
one can
accuse the dada-ananda of many things - which is the way the dada-ananda
meant it to be - but one thing one cannot accuse the dada-ananda of doing
is not laughing.
sometimes
that's all the dada-ananda does.
section
?
part
one -
from one
depth to another.
from
one height to another.
it all
looks the same from here.
in and
out of too many things at once.
holy
water.
bathing
in the river.
born
into the infinite moment of all moments. is this what they're talking about?
is this anything close?
part 2 -
the dada-ananda
is everywhere. but does the dada-ananda know anything?
so much
doubt on the streets of babylon.
part three -
it'll
be alright.
when
hopeless confusion is all one's brain can come up with and one's gut is
twisted into a few dozen pretzels it's hard to trust one's heart.
it's
hard to believe that it'll be alright.
when
time passes and nothing has changed.
when
people laugh in one's face and say everything one does is wrong.
it's
hard to believe.
it's
even hard to doubt.
part 4 -
how far
and long does the world go on? as things keep sinking deeper. and it seems
that it's gotta break along here somewhere. break along the cracks of light.
somewhere
we are dancing. there are beaches on islands where our being is one and
pure. where our names are.
or is
he dreaming?
or is
he a fool?
part 5 -
the gray
of the gray. the plain ordinary stuff we are made of.
after
the golden silver light we have seen this all could be.
down.
face
down.
and what
we thought we saw once was just a few sparks in our brain. it was nothing
more. he's forgotten it already.
just
whatever is being whatever in through the gray fog of reality. karma and
all that stuff whatever it is and cream and sugar and an order of fries
while the cold light gleams brightly on the dirty river as it is.
he's
been fooled by the darkness.
he's
been fooled by the light.
he's
been fooled by others.
he's
been fooled by himself.
part 6 -
the loneliness
of being human.
away
from each other.
away
from the source of our creation.
the loneliness
of it to have created the loneliness of being human to alleviate its loneliness.
and the
radio back in the kitchen sings, all you need is love.
it's
the most beautiful thing in the world but it isn't that way in real life.
just
being stoned.
all you
need is love and one will be the most miserable person on earth. they'll
rip one down any way they can. they'll laugh one down and out.
all you
need is love if one wants to spend the rest of one's life alone.
but maybe
love isn't what it is at all. what does he know?
part seven -
caught
up in a dream of yesterday.
caught
up in a dream of tomorrow.
does
it make any difference? both are dreams.
caught
up in a dream of today.
part eight -
not writing
anything worth shit.
not being
able to feel like writing anything worth shit.
just
the maze of dreams.
just
the mass of confusion.
just
the dada of babylon.
just
himself.
nothing
changes.
nothing
can be changed.
or maybe
not. but why does he feel that way? nothing should be changed. it is as
it is. everything is perfect.
perfect
in its own perfection.
part 9 -
ok - it's
time here and now to snap outta this blue haze deal. mind in a fog.
yeah
- so how do we do that? how does he do it?
realize
perfection has its own ways not our own. to flow into and with that perfection
no matter how things seem to fall apart. they fall apart perfectly.
no matter
what death seems to come.
but what
is he doing here if he's only in the way of perfection unless his misery
is part of it?
part ten -
and from
a bridge the dada-ananda spake thusly, it's a joke. the point is to keep
laughing as much and as long as you can. does it make any sense? no, it
doesn't. so many people are suffering, including yourselves. how can we
laugh in the face of this? we can't. we shouldn't. but we must.
and some
say that the dada-ananda jumped from the bridge. some say the dada-ananda
flew away. some say the dada-ananda went to a nearby diner and got something
to eat.
part 11 -
at the diner the dada-ananda ordered chiliburger and fries.
part 12 -
someone
else was dancing.
alphabet.
napkin.
part 13 -
the dada-ananda
was among us perhaps disguised this time as a dog.
a dog?
a dog
betrayed.
with
acid eyes staring at the blue green sea painted with the sunrise. sleep
was coming fast.
a dog.
a dog
with memory.
the dada-ananda
among us now and then.
hearing
a name called - clearer each time.
part fourteen -
circles
in circles.
cycles
in cycles.
rhythm
out of time - or what we perceive as time. our time is out of rhythm.
part 15 -
badges
of honor when there is no honor in badges of honor.
what
honor is there when there is dishonor for another? how can one hold their
head high while another must hang theirs low?
so what
is it with honor and rank? what is it with achievement?
how can
one be proud when another is ashamed?
is this
the teaching we pass onto our children?
part 16 -
and maybe all of this is wrong.
part 17 -
out of
the garden beneath the streets of babylon come the smothered cries of hope.
where
a weed grows through a crack is a glimpse of what might yet return to forgive
us our trespasses.
what
the walls of babylon cannot keep out no matter how strong they are built,
no matter how they are reinforced.
part eighteen -
and he writes this in the time allowed him by the masters of babylon. when he is not working in their factory farm. will he ever be remembered for this?
section
one zillion
part
1 -
we were... something... he forgot...
part 2 -
the ones
who watch the others in judgment - who try to maintain their idea of order
- their standard of perfection.
who are
they? where do they come from? how do we get them to go away?
they
create so many problems. setting up codes of behavior that are impossible
to achieve for most people. and the ones who can achieve it are so locked
up they're like robot zombies. then the ones who can't make it are kicked
out onto the street and are forced to become criminals in order to survive
and function with any sort of pride.
and on
and on.
don't
they realize that good cannot be without evil? it's a package deal.
part 3 -
the noise
of silence.
people
with masks they think are their faces because it has been so long since
they looked in a mirror except to put on more make up layers and dada like
that.
and who
is he? any different?
it's
a joke.
part four -
there
is no part four.
fuck
this shit.
10/15
section
gazillion
part
one -
the words
of the poet who is obviously mad. 20th century romantic fool. the jester
in the court where everybody else is king or queen.
ha ha,
he laughs, ha ha!
then
in the shadows of a moonlit night around a bend or two with something in
and out of his head he feels a flood of tears rising. he must build up
the dam higher. tonight. keep building the dam up higher.
and higher
and higher.
no matter
that it is far above his head long ago times stretching each moment into
forever.
higher.
he must
never let it show. no one must know he feels this constant pain and sorrow.
they all want him to be happy. they say they love him for how funny he
is. his happiness is all they care about. they love his happiness.
so he
must always show them how happy he is. then they will let him into their
court. he must never show up with a blue heart and his head in darkened
cloud. never.
never.
no matter
how much pain he feels he must never do that. they won't tolerate it. they'll
tolerate world wide wars, poverty, starvation, disease - but they will
never tolerate him being unhappy.
because
they love him and his happiness.
part two -
random
darkness. and the pinpoints of light in-between.
to live
for that light. to live for a shattering glimpse of all in beautiful balanced
perfection. to see all that is good and all that is evil in ringing harmony.
to die
for that light. to leap for it with all the energy one can direct toward
it.
to give
and take nothing in return except to stand in that moment of light surrounded
by darkness.
part three -
to value
what others cast out as worthless. to see them twisted in lives of pain
and misery and hold in one's hand the key that will unlock them from all
their chains.
and they
don't want it.
they
fear it.
they
hate it.
they
cast it out and then go worship gods who only perpetrate their suffering,
who promise them salvation for their suffering.
tomorrow.
it will come tomorrow. it will come with their death in suffering.
and one
holds the key. the key is this moment. here now.
part four -
to believe
the unbelievable. to overcome all sorrow with one breath. that is all it
is - one breath. not even that. a heartbeat.
with
one heartbeat we can transcend everything standing in our way because nothing
stands between us and one heartbeat.
simple.
too simple.
each
generation produces dreamers who tell their dreams. and each generation
has laughed at them.
but no
one tries it on. no one takes it for a drive around the block to check
it out.
they'd
rather laugh and jeer. they know so much better. they know everything.
no one is going to fool them. no - no - no.
part 5 -
1+1=2.
yet...
one cannot
move from 1 to 2 without passing through infinity.
or something
like that.
logic
never fails.
logic
seems to be the method to avoid and ignore infinity.
part 6 -
fun and
games.
all in
the head.
but what
about when the stomach starts calling for room service?
what
about that?
part seven -
logic
is fantasy.
the universe
is not logical. it just appears that way to us and our logic or we choose
to have it appear that way with our logic.
the downfall
of human kind could very well have been when the human mind taught itself
to count.
part 8 -
the human
mind taught itself to count.
one fish
- two fish - three fish - four fish...
one person
- two person - three person - four person - five person...
opps
- there's one less fish than persons. someone has to go.
who's
it going to be?
part 9 -
logically
- one person taught oneself how to count before the others. this person
counted the fish and counted the persons and decided that someone had to
go.
who's
it going to be?
part ten -
anyway - and there's logical steps that lead from this one person counting to our present economic system of interglobal commerce. turn on the tv. relax.
part 11-16 -
(deleted)
and something
about eternity and eternity being the hip place to be and everyone waiting
for it to begin.
ha!
section
quadgazillion
part
one -
and something
from nothing.
and back
again.
and there
being no such thing as entropy in an undivided universe.
what?
and another
thing to write about. another thing on our list of things to write about.
to explain
about having things to write about.
what
is there to write about that already isn't known but maybe to be reminded
that it is known or to let one know that someone else knows it too.
knowing
and thinking. one and the other.
let us
think about what we know.
let us
know what we are thinking.
or something
like that.
something
like that.
the chaos
stirring around in our brain mixing what we know with what we are thinking.
thinking
being the active state of knowing.
discovering
knowledge.
in our
dreams.
when we
discovered knowledge and thought it should be like a rock.
everlasting
truth.
god.
around
sometime as that the dada-ananda was seen lurking in some bushes nearby
chuckling at a little bee dying.
and who
will be next, little bee? asked the dada-ananda.
out of
lifetime into lifetime.
or not.
at least
out of moment into moment.
drinking
the wine of our experience until we are quite drunk on the stuff but we
cannot stop until we fall down dead.
how much
of this is nothing at all?
how much
of this is whatever it is?
how many
questions is he going to keep asking?
how long
has it been for this moment to have gone through itself as a moment?
how long
is now?
a focus
of being into pinpoint experience.
city
to city.
down
onto a rhythmed beat crisscross rain on windshield while in some other
space/time.
in a
general sense forgetting a glance left or right or wrong.
die for
the country.
die for
the old folks who became rich and powerful so that others would die for
them - and make them pay to die on top of it.
hey,
dance to that all the people out there. get up and dance to that.
one's
preselected favorite song is on the radio playing loud.
dance
to that and try to forget that it is interconnected to all that keeps one
down.
dance
to the eternal war our species perpetuates upon itself.
9/16
yeah
- and not to know if he's gone nuts or what.
yeah
- and to be able to once in awhile write out a few spontaneous rhythms
of something off the top of his head. once in awhile. once in a great while.
once in a very great while.
yeah
- but most of the time this regurgitation of all the pain and sorrow he
still feels gushes out on the page from his moving hand. how long until
he can stop doing that? what does he have to do? where does he have to
go? has he not done enough? obviously not.
the main
thing is the loneliness. it's hard to express anything else.
and he
feels he has to hide that all. nobody wants to know about how fucked up
he feels. they got their own shit to worry about and deal with. what makes
his any different?
but that's
what he's trying to break through. this world where our basic primal urges
and yearnings and desires are so twisted inside ourselves where we cannot
let them out because they go for other people's throats has to go. but
it's not going anywhere if we keep holding onto it.
he doesn't
know.
he feels
so ripped off.
he feels
so many things so strongly but he can't allow himself to feel them. the
only time they can come out is when he writes. but who would want to read
about all that? so he still holds back and it comes out as this frustrated
angst angry screaming pitiful cynical mess.
he can't
stand it.
he feels
like crying most of the time. and when he does cry he feels released for
a little while but the pressure builds right back up again.
he wants
to be able to write something that will turn people on. he's always wanted
to turn people on. he loves people. but he hates them just as much.
and he
hates himself. he keeps looking at himself in different ways to find a
way of looking at himself where he can feel like he has some value and
worth. he hasn't found that yet.
arrgh!
sometime
later.
and the
beat goes on. pounding pulse in his brain with no way to let it out. driving
him totally mad. the screws keep turning through his skull.
but all
he has to do is think happy thoughts.
happy.
happy.
happy.
happy
thoughts.
he's got
to pull this out. it's not going anywhere. but he can't think. people look
at him strange. he doesn't know. maybe they don't.
maybe
it's him.
it's
got to be him.
he can
get outta this, can't he?
he's
got to. there's nobody here but him. the rest of the fools just laugh.
they think this is funny.
happy
thoughts.
happy
happy happy happy happy thoughts...
and to write some disjointed abstract verse. no soul. don't let oneself show in any of it. happy thoughts.
no space.
no time.
just
this forever.
just
this forever.
just
this forever.
into the
silence.
his words
are words of silence.
my best
poetry is about artichokes, he said drunkenly.
he said
while lights blinked on the jukebox machine.
he said
while a cigarette was lit.
he said
while a dream bear came into camp.
he said
while the silence remained.
he said.
a wordless
thought or six again and again and the importance of literature is meaningless
to him. fuck literature. let it rot.
give
him words.
save
their literature for someone else.
just another bad dream about nothing at all anymore.
something
more than nothing and something and nothing being the same thing.
and that
jukebox blinking is driving him nuts.
trying
to get into some frame of mind or whatever in order to write.
he can't
write.
he can't
do anything.
everything
he does is wrong wrong wrong.
piss
on it.
10/18
he's
dying. he doesn't know why or how but he feels like he knows he is dying.
not physically.
who knows how long that will go on? but his soul is going out. there's
nothing to feed it. there's nothing for it in this world anymore.
he sees
others whose souls have died. and they go on. a soul is like a flame. and
there are a few who are a blazing fire with brilliant light. he has always
wanted to be one like that but he has never found what fuels it.
everything
he has tried has gone out.
and he
is going out with it. they have been smothered.
this
is the loneliness that is impossible to bear anymore.
this
is the true death.
and whatever
else might happen.
and wherever
it might happen.
what
is important at this time and what isn't?
what
is he supposed to be doing? what should he be writing? what words should
be coming to him that are not? he's still here waiting. waiting beyond
hope.
all he
gets are the same ones over and over again until they have lost any meaning
they once might have had. what meaning did they have? what meaning do any
words have?
and so
it's all here.
and so
it ends here.
he is
at an end here.
he is
completely confused as to what anything means anymore. he's either very
stupid or grossly misinformed, or both.
or neither,
he supposes.
it's
all here but he just doesn't get it. do other people get it? if they don't
then how do they learn to hide the fact that they don't so well? how do
they just keep going along like nothing is drastically wrong? how does
civilization after civilization of people keep going along like nothing
is drastically wrong? they are satisfied with their pathetically limited
lives. is he the only one who sees that there is so much more that could
be? not in some near or distant future or in death but right here and now?
it's
all here.
he's
run this by too many times and he still doesn't get it.
we're
in the garden and we keep building babylon on top of it.
and so
it keeps going - the pain and the suffering everyone goes through. and
what is it he needs to ask for?
for what?
the question
of questions. the question asked countless times. the question unanswered.
even
the most wonderful of heavens beyond our imagination is not worth a moment
of this.
10/19
and the
hours are here upon being as it is and was and will be. the thought of
it. the being of it.
and where
is he?
and where
is anyone?
and where
are all the others of us? who are the others of us? we are them.
and it
doesn't make any sense. and it's not supposed to, is it? yes/no. yes/no.
yes/no.
yes/know.
and be
what it is. and be what it guides one to be. lover or killer. this world
goes on either way.
it is
oneself who is what it is.
it's
him.
it's
anyone.
he knows
what he knows. anyone knows what they know.
all he
can do is forgive. all he can do is let one be what it is that one is.
if one
was meant to love him.
if one
was meant to kill him.
what
can he do?
he knows
nothing to tell anyone. he knows nothing at all. he tries to grasp what
comes by his window - what comes by his window - what comes by his window
- what comes by his window...
a crow
playing a trumpet.
a 2x4
which is painted red - blood blood red. blood red as the blood red smeared
over a newborn baby's pale skin. pale wrinkled skin. wrinkled by months
at sea. washed ashore to this forbidden land.
a flag
without a country. a flag free of false symbolism.
a dream
comes by his window. a dream as all other dreams. a dream that looks out
for itself. a dream of a dark sky.
dark
sky.
if we
could rid each other of our fears as easily as we hate each other.
if we
could be together as easily as we push each other away. as the wind is
together with a kite. or something as simple as that.
he wonders
what happens when his eyes are closed. repeating and repeating.
10/20
trying
to keep focused on what is not. heaven is all around us behind the walls
of babylon. heaven is in the garden. heaven is the imaginary city where
the streets do not need to be paved with gold.
what
we see in our minds can be real if we realize what it is. if we disconnect
it from the images of our frustrated desires. if we focus on what is not.
what
common dream do we all share?
what
do all of us want?
and from
many distant forgotten depths we refuse to remember. just look into our
eyes.
and he
is here as some sort of witness or whatever into the jagged edge of our
universal mind being.
or he
is just a fool who is dreaming of some moment whenever we might come alive
to who we are.
he has
not seen anything of the horrors others have seen.
a head
crushed by a piece of concrete in a back alley somewhere in a lost fragment
of time.
and on
the telephone.
and on
the fence hangs the head beheaded - or maybe he is mistaken.
look into
a mirror.
just
someone else who's taken a drug and has recollection of a god who has deserted
us.
teenage
bop.
teenage
romance.
to die
with a song in a cheesy dive bar. or is this another dream or another.
and could he wake up someday?
in 20
simple songs sung.
in a
mouth paused in a twisted grin. a word long in pronunciation and vague
in meaning hung in the air between us as we thought about a few nights
ago when someone came knocking on our door by mistake though it turned
out to be someone we knew before.
someone
whose name was...
someone
who came in from the cold night once again as before.
just
like a song sung so many times - too many times. we believe ourselves to
be far more romantic than we can afford to be.
so many
doubts.
so many
ideas at one time as it quietly passes by in our minds.
just the
dark now and collecting old records from lives we never lived. and jesus
knows about what that's like as he lays in the back of a '74 econoline
van with a rose upon his lips he gently kisses.
he gently
kisses.
does
he kiss our sins as he forgives them? or is he beyond all that by now?
gunshots
from a 3rd story window. everyone hits the ground.
as they
hit the ground.
the dog
didn't know what to do.
the face
broken by the abstract artist's brush. someone might know something about
wisdom but no one wants to hear about it.
tears
on every highway leaning toward a sunset or two. yeah - everyone's been
there before in one way or more. everyone can tell one a story. too many
stories than can be told in a lifetime.
we incorporate
our stories together in a woven framework of some kind of mythology or
whatever works as such.
we sit
in the church of our choice and worship the shadows cast upon us by gods
whose names are easily confused.
and besides
that we kill one another again and again all the time.
it always
come back to that.
and in
and out of sudden rain as it comes and goes. and the words that mean nothing
at all.
the eyes
that see the dawn after a long night without sleep. the dawn that everyone
said would not come.
and maybe
it never will.
he has
to remember his name, or something like that.